Cave – ‘Neverendless’ Drag City
After their last album ‘Psychic Psummer’ appeared on Important Records Chicago’s Cave have moved over to Drag City for the release of this their third album; sticking with the same format of Sonic Youth esqe guitars, Neu! motorik beats and psych organ riffs interspersed with space synths Cave have taken this one stage further and produced this hypnotising and mesmerising masterwork. Only five tracks make up ‘Neverendless’ but reaching over 40 minutes in total with some unexpected twists and turns. ‘WUJ’ comes out like Stereolab running through some nifty echo fuelled choppy guitar riffs from Cooper Crain into Neu! style lines leading into a spacey almost jazz jam, with lots of guitar noise for the last 2 minutes of the track makes you want to nod your body and dance. Precision drumming powers ‘This Is The Best’ from a keyboard drone piece into a repetitive mantra only Oneida could compete with. ‘Adam Roberts’ is cosmic with outer-space grooves and goes through a number of keyboards shifts before drifting out with the same drone it started with. ‘On The Rise’ has some beautiful bass and guitar interplay and closer ‘OJ’ sees Cave bouncing Rotten Milk’s keyboard lines alongside the Dan Browning’s fuzz bass and Rex McMurry’s motorik beat.
‘Neverendless’ is a stimulating and mesmerising listen and one album I didn’t want to end. Cave have defined their sound and produced something wild, precise and somewhat satisfying. After seeing Cave play some of these songs live I’m glad to hear the results of their work, especially with ‘WUJ’ and “On The Rise’ being my live favourites from last year. However, I still think they have their masterpiece inside them, this is close though.
9/10 Jason Stoll